The Mountain Movers hail from New Haven, Connecticut, which is under mountains of snow right now, so I guess they have their work cut out for them. A friend recently described their record “Let’s Open Up the Chest” to me as “hipster church music,” which sounded promising but I wasn’t sure exactly how. Pleasantly surprised I am – what we have here is big, wide open country rock, with shades of Camper Van Beethoven / Cracker as well as a bit of Cake and Mother Hips. Going back further, this actually sounds a lot like The Band.  On the single “When I Die,” a massive Hammond organ grows tornadoes around a miles-deep-in-the-pocket bass and drum groove, with rootsy guitar and piano accompanying sublime, chill vocals like a sunset over calm seas. Quite lovely.

The Mountain Movers
“When I Die” (mp3)
from “Let’s Open Up the Chest”
(Safety Meeting Records)

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Vic Chesnutt‘s craft is at such a high level, between lyrics and voice and accompaniment, that listening to his songs one can forget oneself and become entirely transported into the musical picture. “Chain” from his latest album, is a soft cinematic masterpiece, each instrument a character, conversing and dancing ethereally with the protagonist/singer, illuminating a scene far more nuanced and colorful that pop music is expected to be. Perhaps this is why Mr. Chesnutt’s reputation amongst pop stars is so well established – to list his famous admirers would be something of a cliché at this point – while his own fame among the general public is still relatively limited. The quality of this work is so self evident all I can suggest is, download it and have a listen. And if you’re wondering if the rest of the album, and indeed the rest of the output from this artist is as original and beautiful as this, this answer is yeah, it is.

Vic Chesnutt
“Chain” (mp3)
from “At the Cut”
(Constellation)

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In the best tradition of modern Americana, Sudbury, Ontario, Canada’s Ox delivers an unhurried, wide as the sky ode to futility. The guitar work here is stellar, shiny and stark, accompanying a delicate lyric that could fall down so easily in one misplaced word, but it never does. Gorgeous harmonies and a full, superb lead vocal, lift this from a simple lament to something far more glorious. I don’t often find myself in the mood these days, for sad country music, but when I do, it has to be this good.

Ox
“Burnout” (mp3)
from “Burnout”
(Weewerk)

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Easily mistaken for a “jam band” at first listen, The Mother Hips are on closer inspection a tight, country flavored rock unit in the tradition of The Band and other 60′s and 70′s masters of song arrangement and organic, live combo playing. Plopped as they were by fate in the early 90′s, the Hips’ sweet guitar serenades and soulful harmonies were in contrast to the flood of Nirvana sound-alikes which came to dominate the airwaves then. Signed to Rick Rubin’s American Records for a while, then back to indie life, these generous and talented musicians remained true to their art through it all, never straying from their vision nor trying for to fit into any style but their own. Commendable, but more importantly, their music is gr8. This single, “One Way Out” is from their most recent album, “Pacific Dust,” and it’s a gem.

The Mother Hips
“One Way Out” (mp3)
from “Pacific Dust”
(Camera Records)

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I swear if Paul Westerberg were born in the Appalachians instead of Minneapolis, he would have started a hillbilly band and recorded this song. Or I could say, if Bill Monroe were a young New Yorker, he might have done. These are compliments to all parties, if there’s any wondering. Curtis Harvey, at the time of this writing, has a whopping 47 myspace friends for his brand new solo outing, in which he emerges from a respectable run as a multi-instrumentalist with Rex, Pullman and others, to take the leading role. Listen to the beautiful guitar and banjo arrangement, and picture perfect lyrics of the single “Oldertoo,” and I’m sure you’ll agree this was an idea whose time had come. A gr8 new music find, folks, from a brilliant under-discovered artist, on the visionary Fat Cat Records label. Enjoy.

Curtis Harvey
“Oldertoo” (mp3)
from “Box Of Stones”
(Fat Cat Records)

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Soul music legend Eddie Floyd has been singing, recording and touring for something like five decades, and the man shows no sign of letting up today. This classic recording of “Ninety-Nine and a Half” is pure molten gold – just puts a lot of more contemporary records flat to shame, I’m afraid.  Probably best known for “Knock On Wood” – a song he co-wrote with Steve Cropper which was a hit in 1966 and subsequently covered by like a hundred major artists, some of whom also charted with it – Eddie Floyd is a real as real gets. Listen to his voice on this, and then tell me how you feel about the auto-tuned piffle that’s so prevalent these days. This is a gr8 record you should have at the ready, to heat up those cold winter nights.

Eddie Floyd
“Ninety-Nine and a Half” (mp3)
from “Sweet Soul”
(LocoBop)

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In the lush, synthetic universe, inhabited by Bear In Heaven, anything can happen. The arrangement of “Wholehearted Mess” is surprising at every turn, with each bridge, verse and chorus opening a new door. An unusual and inspired chord progression, expressed in bold strokes on saturated, pitch-melting keyboard patches, frames a sweetly understated vocal magnificently, and it all adds up to, well, a wholehearted mess. Lovely, original work.

Bear In Heaven
“Wholehearted Mess” (mp3)
from “Beast Rest Forth Mouth”
(Hometapes)

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Beginning with a sweet and ponderous bell intro that hints of Balinese Gamelan music, Sleep Whale‘s “Cotton Curls” evolves into a weaving, waving, softly delicious dream. Rather extreme filters and other effects on the vocals add to the originality of the piece, rather than distract from it. Intriguing and foreign, while strangely accessible and distinctly human. Also, I have to say arbitrarily, really perfect early autumn Sunday afternoon music. So it goes up today! Enjoy.

Sleep Whale
“Cotton Curls” (mp3)
from “Houseboat”
(Western Vinyl)

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Virtuoso acoustic guitar jam fer daze. Perfect find for the slow autumn drizzle that descends like fine mist on this SuperFan’s Oaksterdam home today. “Today is forever, now that we are through” is the haunting refrain that frames this instrumental exploration of steel string slide guitar, furious pluckin’, and one suspects, a little blood.  Mad @ The Live Creek? Or Live @ The Mad Creek? Take your pick. Mad flatpickin’ from a talented solo artist on the ever lovin’ ItsAboutMusic label.

The Lew Jones Act
“Today Is Forever” (mp3)
from “Mad @ The Live Creek”
(ItsAboutMusic.com)

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With a voice that reminds favorably of Steve Earle and Bob Dylan, Wisconsin’s Graham Lindsey has an arresting way with words and a painfully clear gaze on the human condition. His minimal, elegant accompaniment seems to draw as much from European folk musics as it does from more distinctly American forms. This song grows with repeated listens – on first pass I was moved, by the third time I was convinced this is major. What a magnificent, smart, and poetic lyric. I get angry when I discover artists like this, who deserve a lot more exposure than they are likely to get during this age of corporate ersatz musik. But b4 I get on that soapbox again, let me just say: TWO MONTHS TO GO! I have posted a song a day for all of 2009, and I am proud to share and shout about each and every one of them. Give this mp3 a spin, and if you like it as much as I think you will, do yourself a favor and pick up the perfectly titled album – “We Are All Alone in This Together” on SPACEBAR Recordings. I bought it after posting another Lindsey gem called “Old Roger” back in August. A gr8 record from an artist who merits our support. Thanks, getting off soapbox now! Love, SuperFan

Graham Lindsey
“Tomorrow is Another Night” (mp3)
from “We Are All Alone in This Together”
(SPACEBAR Recordings)

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